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At the Wave Mouth
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• Smash Mouth
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You've selected:
At the Wave Mouth
Sheetmusic to print
7 sheet music found
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1
At the Wave Mouth
At the Wave Mouth
#
Mandolin
#
EASY
#
Traditional
#
songbooks
#
At the Wave Mouth
#
songbooks.info
#
SheetMusicPlus
Mandolin - Level 2 - SKU: A0.1392962 Composed by Traditional. Arranged by songbooks.info. Celtic,Folk,Irish,Traditional. Score. 1 pages. Songbooks.info ...
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Mandolin - Level 2 - SKU: A0.1392962 Composed by Traditional. Arranged by songbooks.info. Celtic,Folk,Irish,Traditional. Score. 1 pages. Songbooks.info #976505. Published by songbooks.info (A0.1392962). Well-known and popular Songs from Ireland and Great Britain - notated for the mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Songs aus Irland und Grossbritannien - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22 ≈
2.07€
At the Wave Mouth
At the Wave Mouth
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Ukulele
#
INTERMEDIATE
#
Celtic/Irish
#
Folkloric/Traditional
#
Traditional
#
Bettina Schipp
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At the Wave Mouth
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songbooks.info
#
SheetMusicPlus
Ukulele - Level 3 - SKU: A0.1314906 Composed by Traditional. Arranged by Bettina Schipp. Celtic,Folk,Irish,Traditional. Score. 1 pages. Songbooks.info #...
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Ukulele - Level 3 - SKU: A0.1314906 Composed by Traditional. Arranged by Bettina Schipp. Celtic,Folk,Irish,Traditional. Score. 1 pages. Songbooks.info #903665. Published by songbooks.info (A0.1314906). Arranged for the hottest four strings in music - the Ukulele.The evergreens come from composers from all over the world and were written for fingerpicking on the Ukulele - using the well-known tablature for string instruments. The songs are recorded at a slow tempo and with a sound that does not match the sound of the ukulele. Have fun making music...!Arrangiert für die heißesten vier Saiten in der Musik - für die Ukulele.Die Evergreens stammen von Komponisten aus der ganzen Welt und wurden für das Fingerpicking auf der Ukulele notiert - mit der bekannten Tabulatur für Saiteninstrumente. Die Vertonungen sind in einem langsamen Tempo und einem Sound aufgenommen, der sich nicht mit dem Sound der Ukulele deckt. Viel Spaß beim Musizieren...!
$2.49 ≈
2.32€
1917: The Halifax Disaster
1917: The Halifax Disaster
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Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
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William Brenner
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1917: The Halifax Disaster
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William Brenner
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99 ≈
21.45€
Ocean Waves
Ocean Waves
#
Piano solo
#
EASY
#
Julia Muenchj
#
Ocean Waves
#
NJ Original Music
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.940716 Composed by Julia Muenchj. Concert,Contemporary,Holiday,Instructional,Patriotic,Standards. Score. 2 pages. NJ Orig...
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Piano Solo - Level 2 - SKU: A0.940716 Composed by Julia Muenchj. Concert,Contemporary,Holiday,Instructional,Patriotic,Standards. Score. 2 pages. NJ Original Music #3411895. Published by NJ Original Music (A0.940716). Ocean Waves is an excellent teaching piece for learning about perfect fifths and strengthening the hands overall. It is a good beginning intermediate piano piece, and fun for learning crossing over of the hands. Explaination and and demonstrating the interval of perfect fifths in advance. ( as well as other intervals) is always a good preparation for this! Julia Muench is a pianist, composer, arranger, piano professor since 2006 at the Monmouth Conservatory of Music now through the Count Basie Theatre in Red Bank, New Jersey. She can be found performing on youtube and her articles are on musicflower at Wordpress.
$2.99 ≈
2.79€
Three Painters (parts)
Three Painters (parts)
#
Contemporary
#
Drake Mabry
#
Three Painters
#
Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages....
(+)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99 ≈
9.32€
Three Painters (score)
Three Painters (score)
#
Contemporary
#
Drake Mabry
#
Three Painters
#
Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....
(+)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99 ≈
9.32€
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1
At the Wave Mouth
